Library time

So, another hiatus in posting here while I have done battle with my next conference paper, this one on representations of shell shock as immaturity across 20th century British popular culture.  It is the third paper I have written on the subject.  Every time I write the proposal for the paper I think what a brilliant idea it is; every time I actually sit down to write the paper itself I find myself doing vicious intellectual battle and wondering how I could think there was any mileage in the concept at all.  Still, I must be doing something right as both the previous tilts at this particular windmill have been published. And this is a conference paper, so I am going to leave it intentionally (honest, guv!) rough in the hope of getting useful feedback.  Given that the conference is being attended by what feels like all the world-class historians of shell shock available, this could be either a very good (or very, very bad) idea.  We will see. I am going to write the second draft next week.

This seemingly endless struggle has been interspersed with some work more directly related to what I am paid to do.  I spent a fabulous week in the Army Medical Services Museum (about which I intend to write a much longer blog shortly) and gave a paper to the Legacies of War seminar series. (Like the majority of those papers, it will be on-line soon here.)  This was another rough draft and the feedback was immensely useful so I am hopeful that, when I actually get around to rewriting and expanding the paper, there will be some hope of publishing it.

Library Shoot 58 (2)I also spent a really enjoyable Saturday morning in Special Collections, working with writers from Snowgoose.  Legacies of War is working with writers from the project to research a series of monologues based on the civilian experiences of the First World War in Leeds which will be performed on camera and available for festivals, as an educational tool and to view on-line.  The Saturday session I helped facilitate was an opportunity to introduce the writers, who were unfamiliar with working in historical archives, to the holdings of the Liddle Collection.  The Liddle catalogue is something of a mystery, even to professional historians with archival experience.  Add to that the complexities of copyright law and queries over the reproduction of images and the potential for intimidation is quite high.  So it was a complete joy to help this group quite literally get their hands on original documents and objects. Library Shoot 42 Library Shoot 24 (2)An hour in and everyone was engrossed in their research, a sight I found remarkably rewarding.  It was also a pleasure to be able to offer advice to someone whose research interest is likely to take her beyond Special Collections and into the city archives and other resources that I am not familiar with.  Helping someone to plot the map for a research journey is almost as exciting as plotting your own, I discover.

Library Shoot 53 (2)

My work for Research for Community Heritage has, to date, been somewhat confusing and occasionally unnerving but the interactions with the community research groups have, as this last experience exemplifies, been enormously rewarding in unexpected ways.  (On a similar note, some work I have done with Headingley LitFest has made me view Park Square in Leeds in an entirely new light.)  There are aspects of the project that make an unanswerable case for community engagement by the academy. More thought needs to be given about the ways in which such engagement integrates with other academic responsibilities, especially for early careers researchers, but the engagement itself offers enormous potential rewards for all involved.

(Photo credit: All photographs are by Laura Whitaker of www.definingbeauty.co.uk)

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AHRC ‘Connected Communities’ Showcase: 12th March, 2013

I have been spending the last several weeks frantically writing, something that may come as a bit of a surprise to any regular readers out there.  At the beginning of February I realized that I had three months to write three conference and/or seminar papers, plus several planning documents, so I have had to get my head down.  The results of my industry are drafts of a variety of things, including a call for papers that you will be seeing a lot more of in the future, I suspect.

In between writing and the general demands of family life, however, I also seem to have spent a great deal of time in London, mainly in relation to the AHRC and HLF-funded Research for Community Heritage project that I am now a postdoctoral research fellow for (this is in addition to my Wellcome fellowship which is on-going).  The project is part of phase two of the AHRC’s Connected Communities programme which is funding some 200 projects bringing together community groups and academic institutions in a variety of ways.  After a session on public engagement for postdoctoral fellows which I attended last week, this week I found myself in London again for a showcase event which allowed me to get a much better sense of the breadth of the programme, as well as bringing me into contact with an extraordinary range of highly engaged (and engaging) individuals.

The day started with a series of short presentations from representatives of the AHRC and the programme’s leadership fellows, followed by a key note address from David Willetts, the Minister of State for Universities and Science.  This sought to emphasize the importance he, as minister, placed on humanities and social science research which he believed to be a ‘bold, significant, world-class participant in UK research’.  He also labelled as ‘unfair’ the impression that the humanities had less connection with the wider world than the sciences.  I couldn’t help feeling there was an element of the lady protesting too much with this. Should the government really need to reassure arts and humanities researchers that they are just as important as all the big scientists and their funding, ring-fenced with funding for the sciences was safe?  If so, it must be down to the impression given by the policies and pronouncements of said government.  The message was also rather undermined by the answer given to a question from the floor about how arts and humanities researchers might influence policy, to the effect that ministers might be accessed via the chief scientist of each department.  Apparently this included social scientists.  I am not sure this was of much comfort to various groups whose excellent work in the arts, often in collaboration, was on display.

The bulk of the remainder of the day was an opportunity to explore the projects whose work was showcased around the venue and participate in breakout sessions.  I missed the session which involved weaving small circlets but did go to a showing of the Imperial War Museum’s film ‘Whose Remembrance?’, based on their on-going project into the black and colonial history of the world wars.  This was fascinating, not only because it tied so beautifully into last week’s Legacies of War seminar from Santanu Das, but also because of the questions it raised about how communities can be encouraged to engage with archives which, all too often they feel excluded from by institutional gate-keepers.  Given that communities are often the very sources that these archives spring from, this is something that needs to be tackled, something that I hope to contribute to through my work with groups involved in Research for Community Heritage.  Making sure that the Liddle and Bamji Collections here at Leeds are better known and fully exploited by all interested communities has suddenly become a very important part of what I am trying to do.  And I was very excited to make the acquaintance of  Cliff Pereira who worked on the Bamji Collection when it was still held in Sidcup.  My one reservation about the session was the rather London-centric nature of the discussion of archival resources.  Given the community-based nature of the research that Connected Communities supports, local and regional archives and their accessibility to community groups really needs to form part of the discussion.

Outside the breakout sessions there were 30-odd stands presenting information about a huge variety of projects.  Many involved mapping and I had long and potentially fruitful discussions with researchers from Birmingham and Bristol about how to present images and information relating to historical geography in an interesting and accessible way.  I ended the day with a fascinating conversation with Paul Crawford from University of Nottingham about health versus medical humanities which gave me some exciting new ideas about how to frame aspects of my own research.  The focus on community activity and expertise within healthcare implicit in health humanities is something that chimes with my long-term interests in the role of families in supporting disabled service personnel.

The formal schedule concluded with round-table discussion about how the Connected Communities project  could evolve in order to achieve ends that will include, as hoped by Keri Facer, one of the programme’s leadership fellows, a change in how universities approach and structure research in the arts and humanities.  Few definite conclusions were reached, but points were raised about interactions with other funding bodies, the need for spaces to share failures and discuss difficulties as well as celebrate achievements, international connections between communities, how resources can be made visible and accessible and, again, that question of how the research being undertaken might affect public policy.

All in all, it was a stimulating, if exhausting day (not helped by the cancellation of my train ‘due to technical failure’ which made it that much longer).  Quite apart from all the ideas generated for the various research projects I am engaged with, and the potential for at least one, if not two, new sources of funding for the Legacies of War project, it was my first experiment with live tweeting a professional event.  I am still not sure I have worked out how to do it.  I certainly wouldn’t want to try at an academic conference as I think I might do injustice to a denser, more complex argument simply through lack of proper concentration.  And I owe a huge apology to my friends and family who, through the linking of my twitter feed and Facebook page, were subjected to a stream of posts of little or no interest outside my professional sphere.  Yet again the question of the work/life balance raises its ugly head in the most unexpected places.